blow hole

  • Gold And Blue

    The Hawaiian Coastline

     

    I was looking for a new way to photograph the Hawaiian coastline. This time I decided to tilt the camera down to show the foreground and imply the sunset through the warmth of the seaweed as well as the reflected glow of the sun in the water. With a slow shutter the motion of the water streaks and swirls as it mingles with the seaweed on its way back into the large holes in the coastline.

    View a different photograph of mine from this same location… http://www.fromhereonin.com/keahole-sunset-3/

    © Christopher Johnson

  • Failure to Focus

    After 3 months of not shooting anything I was pretty rusty that I forgot one of the most fundamental steps in photography.

    On November 22, I ventured out to a hidden spot in Kohanaiki with hopes of a great sunset shot. Earlier this year this spot was brought to my attention and on my first trip noticed the sun set just right of the spot that I thought would be the sweet spot. The two rocks converged just below the ocean, leaving a small triangle where I would have the sun set on my next trip. This was my next trip.

    In the rush to make it to the location in time I hurried to assemble my camera and get into the surging water to compose the shot. Now setting up the tripod I noticed I was a month too late because the sun was now setting too far to the left. In attempts to make the composition work I was getting into a rough surging area and with the on shore winds the sea spray was covering the filter. Needless to say I was getting frustrated. Instead I retreated back to explore the composition at my original location, 10 feet back.

    With the hurrying, attempting to set up, and then the filter cleaning I forgot to perform one fundamental step… focus! How could I forget to focus the camera? It wasn’t until I shifted locations to another area 50 feet away that I began to realize I hadn’t been focusing. It didn’t even dawn on me right away. I continued to shoot a few frames when I began to kick myself. “Well it’s nice to be out shooting and enjoying the sunset.” I told myself.

    After I had loaded the images into Lightoom, I was pleasantly surprised that this time I got off with a warning. The majority of my images were in focus and that with very little post processing I had come home with a handful of nice images.

    Cheers to f22!

  • Kohanaiki ‘S’ Curve

    I had a great time shooting at a new location with Mark Rogers for this sunset. This spot is so complex with so many compositional possibilities. I can’t wait to see what images Mark came up with.

    My first impression of this location is a view through the passage toward a large hole in the reef. I wanted to capture the colorful seaweed with the strings of water as it flows gently through them while the sun colors up the clouds above. I think that with this composition in the winter the sun may be in the opening above the ocean, so I look forward to that possibility.

    This photograph of the beautiful Hawaiian scenery can be purchased as a fine art print for home or office or licensed for usage.

    Please contact me for more information.

  • O’oma Sunset

    O’oma Sunset

    This puka on the O’oma coastline has been one of the most difficult locations to photograph for me. So at the end of a stormy day and with some great cloud formations, I was hoping to inspire some creativity to capture the unique qualities of this location.
    Please enjoy.

    © Christopher Johnson

  • Pathway To The Sun

    This location on the Keahole Point coastline has been the most difficult to photograph. The range from highlights to shadows is extremely steep because of the dark lava rocks of the foreground against the direct sunlight. In order to achieve somewhat of a balanced shot I stacked two 0.9 RND filters together, but even with that I had some adjustments in Lightroom.
    Even though I like the dramatic feel of this shot, I still don’t feel like I got the shot I wanted.

    © Christopher Johnson