water

  • Pololu Valley Stones

    Slow shutter of water flowing around the embedded colorful stones on the black sand beach of Pololu Valley.

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    Beautiful stones line the black sand beach of Pololu Valley giving the ocean waves something to play with as it rushes on and off the sand. 

    © Christopher Johnson

  • Pine Trees Morning Surf

    Aerial photograph of a popular surf spot during sunrise in Kailua Kona.

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    My daughter wanted to meet some friend to surf dawn patrol at Pine Trees beach. Usually this means I have to sluggishly get out of bed, drive her down half asleep, and hurry home to drink more coffee, but not this time. For my birthday I got a DJI Spark drone and look for any opportunity to fly it. This was my opportunity to get out at sunrise and practice getting beach pictures while my daughter happily surfed with friends. Best of both worlds.

    © Christopher Johnson

  • Golden Hour

    Photograph of an amazingly clear golden sunset from the Keahole Point coastline on the Big Island of Hawaii.

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    I stood precariously close to the edge of this Big Island blow hole in order to capture the details of water flowing through the seaweed and into the large hole. Luckily the tide and swells were low so that I could do this without too much worry or trouble. Like always there is the rogue wave that helps me to not get too comfortable and to always be prepared. I was pleasantly surprised there was a golden sunset to accent the golden foreground of the seaweed.

    © Christopher Johnson

  • Follow Through

    Photograph of the Hawaiian sunset near a large blow hole in the rugged coastline of Keahole Point.

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    The sunset wasn’t progressing like I had hoped it would on my re-visit to this familiar blow hole. I setup further away from the blow hole in order to capture the water streaking back towards the hole with the sun setting just beyond. With the storm clouds stretching toward to horizon I had to wait for the small window where the sun peaked out and casted its beautiful orange sunset color over the coastline surface and underbelly of the clouds. Unfortunately once the sun disappeared the colors went as well, but I waited for the hope of a surprise that didn’t come. 🙁

    © Christopher Johnson

  • Take Two

    Beautiful Hawaiian landscape photograph of the energy surrounding an awesome Big Island blow hole at sunset.

     

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    Take Two is a second photographic look at the blow hole I posted earlier. Instead of the calming reflected water there is a more energetic rush of water.

    © Christopher Johnson

  • Water Reflection

    Water Ripples

    A walk around the natural pools of the Mauna Lani resort is always so calming. A fun series of pathways navigate around the many different pools of water that spot the landscape. A seawall creates a boundary between the larger pool and the ocean where eels and barracuda swim freely, needless to say that this isn’t a place where people are swimming. An old brick structure rests on a small island that is only accessible by a small concrete narrow wall and is surrounded by palm trees growing out of small pot looking islands. I haven’t looked into what this structure was, but it is definitely a cool and odd thing to see.

    I found myself drawn to the reflective surface of one of the pools further away from the ocean. Clusters of palm trees draped over and around the water while being reflected in its gentle rippling surface. Through my viewfinder I was mesmerized by the dancing bending light as the image continually shifted its abstract form.

    © Christopher Johnson

  • Akaka Falls

    Akaka Falls framed with the ferns in the foreground.

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    This magnificent waterfall has been photographed a million times and mostly the same way. I wanted to photograph it with a different approach. Framing the waterfall with all of its surroundings in order to accent the subtleties of the area was my goal. The ferns in the foreground, small waterfalls along the left side of the falls, the moss along the walls, and the way the water catches smooth rocks along the cliff walls as it falls were all the details I set out to capture that are normally lost in a wide angle view.

    © Christopher Johnson

  • Tomorrow

    The last minute retreat to the ocean to watch the earth roll away from the sun. I was looking for a composition when I found inspiration from my daughter. Setting up for the classic seascape shot, I looked back to witness my daughter tucked behind the tree branches taking pictures with my phone. Afterwards I retreated back to where she was sitting, bored with my compositions, to suddenly understand the amazing scenery she was seeing all along.

    The wind was blowing steady and I wanted the branches to be sharp with the water and clouds blurry from their movement. Moments like these call for multiple shots for future use. I shot a high shutter, large aperture shot of the branches to keep them sharp as well as a slow shutter, small aperture for the water and clouds for movement. Back at the dark room, which is in my very bright computer… I blended them together to create the best of the sunset to which I credit my daughter Makayla.

     

    © Christopher Johnson

  • Noio Point Arch

    Photograph of a sea arch along the western Hawaii coastline during sunset

    Sunlight streams through the large opening of a sea arch off of Noio Point along the Kailua Kona coastline.

    See the aerial version I shot with a DJI Spark drone, ‘Sea Arch Aerial‘.

    © Christopher Johnson

    Available backlit from Big Naked Wall. Check out the website and see the cool things they are doing for artwork with their interchangeable prints on backlit frames.

  • Icicles

    Icicles against a blue sky in Lake Tahoe California

  • Sand Harbor Ripples

    Photograph of water ripples distorting the large boulders underwater at Sand Harbor in Lake Tahoe.

  • Two Fifteen

    I visited this location two days in a row when the sunset had some promise. The first day was disappointing when the sun popped under the clouds as a dull glowing ball surrounded by the colorless grey haze, blocking any chance of color and light. I was successful when I shot while the sun was high, but during the finale the absence of light pushed my shutter speed too slow. While I wan’t going to compromise any more on aperture and ISO I packed up. However, the next day I was graced with the appearance of the sun. Again I watched as the sun faded behind the low lying haze that trapped the sunlight from under lighting the belly of the clouds, but I was happy to witness some color on the horizon.
    My goal with this shot, against this sunset, was to capture the color and texture of the seaweed with a 1 second shutter. The surf was high and I didn’t want to risk a tight ground shot, so instead, I framed a glimpse of the foreground.
    Enjoy…
    © Christopher Johnson

  • Onomea Falls

    Photograph of the beautiful picturesque Onomea waterfall

     

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    A beautiful waterfall within the Tropical Botanical Garden walk north of Hilo on the Scenic road. I definitely recommend taking the time to visit this botanical garden. It’s breathtaking!

    © Christopher Johnson

  • Shoot RAW

    Shoot Raw … a Rude Reminder

     

    Long breaks from shooting have proved to be bad for me. This is following my Failure To Focus post from last month. This next lesson came from an entire shoot that was mostly of un-useable images. Such a drag since the location I walked to was a couple miles along a treacherous terrain. Hopefully I won’t make the same mistake again.

    12 years ago I made the change from shooting all JPEG to shooting all RAW images. It didn’t really matter if the subject I was shooting needed to be RAW because it was going to be shot RAW anyway. Well now I have become so custom to developing RAW images that I forgot what the difference really was. Well I learned the difference today.

    My camera is getting old. The last photo shoot I had was underwater at Mahaiula beach. Unfortunately the housing leaked and when I removed the camera, although the camera worked fine, the settings began to change on their own. ISO, focus, white balance, and PASM; I just didn’t realize the RAW capture settings changed as well. I had thought something was different when I noticed the 1250 number on the screen, but it didn’t dawn on me what that number actually represented. The 1250 was the available images I could shoot on the memory card, where that number usually is around 200. Thinking it was the ISO I went to adjust the settings, but it was already at 100. It was at this moment I should have stopped to figure it out, but of course I didn’t and proceeded to shoot the new location.

    I left thinking I may have gotten some great shots… I was wrong. Once I saw the JPEG at the end of the files while loading them on my hard drive I was mortified. “Maybe they will be fine” I thought to myself. That was until I began to work on the images.

    The first thing I began to notice was the amount of artifacts in under exposed areas. Then the minor adjustments in the highlights and shadows really started to make the images look fake. Instead of having the ability to fine tune these areas, small adjustments would completely blow them out or flatten the image. Then there was a lot of blotchy areas where the pixels try to make up the detail in dark and highlighted areas. Followed by the objects in the distance at the far end of focus had a weird sharpening look to them. Almost like the objects were wrapped in plastic. These camera compressed images were total crap. All flexibility for development is gone. The only way this JPEG setting worked is if the image shot was technically perfect and in a tight focal range.

    The shot I posted needed very little development and for the most part worked. With a little bit of loss in the shadowy areas I am fairly happy with it, but as for the rest, it was a sad night.

     

  • Acrylic In Water

    A macro photograph examining the way acrylic paint disperses as it is poured into water. I love the way it swoops and swirls into a soft dreamy design.

    This photograph can be purchased as a fine art print or licensed for your needs. For more information please contact me.

    © Christopher Johnson