A collection of aerial photographs of spinner dolphins
A pod of dolphins swimming just off the Kona shoreline in the morning. The ocean was clear, made up of beautiful shades of blue. This was a perfect setup for photographing these majestic animals.
It didn’t come without difficulty. I made 7 separate trips. Most of the time the dolphins were nowhere to be seen and I discovered that the presence of tiger sharks scared them off. Other times they were around, but my shutter settings were too slow. I walked away with a lot of blurry images. Nothing more frustrating. This last trip was a huge success.
I was waiting for the moment to photograph and video Humpback whales through the eyes of a drone. I kept a close eye to the ocean along the Big Island but didn’t have much luck scouting any whales. It wasn’t until I had an opportunity to visit with my parents on Maui that I saw an abundance of spouts and splashes peppering the ocean. A very exciting moment for me. What I didn’t expect was how difficult it was to find the whales from the air.
Along the cliffs on the west side of Maui we stood looking for some whales close by. We were extremely lucky to find a couple whales within 400 yards from us. Now all I needed to do was get to them.
From 400 feet in the air, you would think finding a 50-foot, 30-ton mammal would be easy to find, but it’s definitely not. Thinking you out far enough is a huge challenge. Often times I was way too close and had to go out way further, however, once I determined I wasn’t far enough the whales had either swam away or drifted. By the time I was 500 yards away I couldn’t find the drone in the sky to determine if I was nearby, so I had to fly back until I spotted it and adjusted and began the search.
My heart raced the moment I finally spotted the whales and then I had a huge smile on my face when I noticed what I was looking at was a mother and her baby. It was so peaceful watching the baby coming up for air, swimming around, and twirling before diving back down to mamma. Super amazing moment that I felt very privileged to be watching.
After this first trip we made several attempts to capture more amazing moments and with patience we were lucky to find another mother and her baby close to the first location. These photographs are a collection of the two successful flights.
Photographs were taken with a DJI Mavic 2 Pro drone and Smart Controller.
Mother and baby humpback whales in the blue Maui oceanMother and baby humpback whales swimming side by side.Mother and baby humpback whalesMother and baby humpback whales together in the beautiful blue Maui watersA humpback whale tail seen before the final decent.A mother Humpback whale and her baby breathe a rainbow with mist as they take their breaths
First flight of 2021 over Kiholo Bay with a Mavic 2 Pro drone
It was morning before any wind or people showed up. The sun had been up for an hour. Kiholo Bay was perfect. I couldn’t wait to fly the drone and capture the beauty of this magical place.
Immediately I noticed two black figures in the water from 100ft in the air and came down lower to check them out. A pair of Eagle Rays were playing in the turquoise waters. I followed them for a bit and then took off to explore other parts of the coastline. Schools of fish, turtles, and unique designs of the lava rock shoreline captured my attention for a while. At the end of the flight I noticed a family of five Eagle Rays swimming together.
Marine life in Kiholo BayFive Eagle Rays swimming in turquoise watersThe turquoise blue of Kiholo Bay contrasted with the blues of the oceanThree Eagle Rays swimming together in the beautiful turquoise waters of Kiholo bayAn aerial view of Kiholo Bay
If you like areal images of marine animals check out this Humpback whale post.
A different perspective of the same coastline. With the high surf pounding the Kailua Kona coastline the water found its way to the grassy patch well behind the surf. Instead of positioning myself of the edge of a blowhole I chose to work with this grassy reflective scene. This was my second attempt when I wasn’t thrilled with my first composition from the previous day. Lucky for me the sunset and water waited for me to return.
My daughter wanted to meet some friend to surf dawn patrol at Pine Trees beach. Usually this means I have to sluggishly get out of bed, drive her down half asleep, and hurry home to drink more coffee, but not this time. For my birthday I got a DJI Spark drone and look for any opportunity to fly it. This was my opportunity to get out at sunrise and practice getting beach pictures while my daughter happily surfed with friends. Best of both worlds.
8/22/2022 Update
I am not sure how I was able to fly the drone during this morning at this spot. I have returned multiple times and have been restricted due to the proximity to the airport. The flight path extends past where I was standing. It’s a shame since now I have upgraded the drone to a Mavic 2 Pro and would love to recreate the beauty this surf spot has to offer.
Aerial photograph of Pine Trees beach at sunrise
Aerial of Pine Trees beach on the Big Island of Hawaii
Standing on the coastline waiting for the sun to get into position to photograph the rocky shoreline swallowing the waves during sunset, I looked behind me at the mountain. This was too good to pass up and immediately shifted focus from the ocean to the land. My single wide lens couldn’t capture the entire scene that I was witnessing, so I needed to shoot a panorama.
This image is a combination of 9 images. I first panned the landscape and then the sky to create the largest single image I have ever worked on. 20 hours of warping, masking, blending, and enhancing as well as another 3 to polish the shot to how I saw this amazing sunset.
This sunset was one for the books. I had a suspicion that the sunset might be good, but as the light began to fizzle I became skeptical. Just as the sun moved under the distant clouds it began to highlight the underside of the lower clouds to gift me a beautiful shot. I was completely blown away that the shape of the clouds mimicked the shape of the landscape I was shooting, which gave me some interest in the sky.
See this location from the air. A photo and video of this amazing location. “Keahole Coastline Aerial”
Picked from one of the Hibiscus bushes we have out in our front yard. I selected this flower because of how the style curved right at the end so that I could photograph the profile of the flower and have all of the 5 stigma balls visual instead of overlapping each other.
I don’t have much of a studio, so I have to improvise. I was able to float the flower away from its background by pinning it to the bottom of my kitchen cabinets with a safety pin. With natural light I needed a longer than desired shutter speed, so I had to close all windows and stop the fans to keep the flower from wavering. Then with a timer set to 2 seconds on the camera I quickly and carefully pressed the shutter and gently fluttered a white towel in the background to blur any shadow or detail that might be picked up by the camera. The depth of field wasn’t enough to pick up all the details of the flower, so I focus stacked 2 images for the final piece.
A section of the lava river from a Paradise Helicopter tour over the fissure 8 eruption of 2018 in Pahoa. I wanted to focus on the patterns the lava was making as it flowed to Kapoho, so I used a 70-300 telephoto lens to tightly frame in the lava with the dark surrounding areas. What I wasn’t expecting was how amazing the patterns are within the lava itself.
I went to this familiar location to shoot from the same spot I usually do, right at the mouth of the hole in the reef. This usually puts me right in line looking at the sun setting with a dramatic foreground of the water draining back to sea. Fortunately there was a large south swell that had forced me to find a new perspective because standing where I usually do would be dangerous as the water will pull my photography gear or me into the hole that is 10 to 15 feet deep if not careful. Some of these waves will catch me off guard and it is not easy to escape and in the past I have had to thrust my camera way up in the air by grabbing the tripod legs so a wave didn’t kill it, but would leave me drenched. You might wonder why I say fortunately instead of unfortunately. Why would it be fortunate to be forced into something I wasn’t planning on. Well, I say fortunately because I love it when I am forced to try something new. When there is a spectacular sunset I always go to my comfort zone with a perspective and composition I have photographed before so I don’t screw it up. Where I usually come home with some great shots, I am still longing for a new perspective. I don’t want to have a portfolio of the same shots when there are so many great views along this coastline. At least this time I was forced.
This is not the most amazing photograph, but it was very complicated both with composition and technicality. I really had to work for this shot. The foreground rocks aren’t very large, so in order to trick the eye I had to crouch down into the small crevice and straddle the river of rushing water about 2 feet off the ground. In that position it is really hard to setup and look through the view finder… especially when you are as out of shape and stiff like I am.  🙁  I had to fold myself while moving around so my shadow wasn’t visible on the left rock face. It’s hard to explain how weird I felt, but I’m sure I looked like a crazy person on the coastline waiting until the right moment, which never ever comes immediately. I have to begin cramping up before I can begin to shoot and create.
After all that I waited on developing these images until 3 months later because of the volcano eruption that stole my attention. It wasn’t until I was tired of not seeing a sunset because of all the VOG that I went back through my images to find this awesome day.
This image is a mesh of 2 images at different focal points. One for the foreground rocks and the other for the rest of the scene. The final image was edited several times over, over a couple days to get the look I was going for.
On a Mokulele flight from Hawaii to Maui, the view of the stormy clouds were amazing. A lightning storm was moving across the islands creating some amazing cloud formations. I sat on the rear bench seat of the small airplane and photographed these clouds through the rear window. This image is 3 stitched images to create the panorama.
Messing around in the waves of Kua Bay while trying to capture the backside of a wave, I wasn’t having much luck. The water was flat and there were tons of people around. Every once in a while a large set would come in and energize everyone in the water as they all setup to body surf the wave. With all the commotion a lot of sand kicked up and then as the wave passed more sand would kick up, but I tried to photograph the wave anyway. What I found was a lot of out of focus images. I left the beach thinking it was a loss, however, it is always nice to get in the water.
When I loaded the images into Photoshop Bridge I found a lot of beautiful images of sand with amazing streaks of sunlight beaming through the water. I edited this image with an abstract/design quality in mind and accented the colors and light values. In the end I think this would be a very cool accent image on a wall blown up really big.
I set out when I saw low lying clouds underneath the upper clouds along with a clear horizon. Usually the sun will begin to illuminate the lower clouds with color and slowly hit the upper clouds to create an amazing glow of color, but when I got to the coastline I had second thoughts. The sky was gray and dismal. It didn’t change much as the sunset came near so I thought the hazy on the horizon would stop the color and fizzle into nothing.
I setup to capture a totally different scene and was facing south when the explosion of color began. As fast as I could along the treacherous jagged and slippery rocks I moved to this location, looking through the large holes in the reef, to compose for the colors in the sky. I threw caution to the wind as I precariously setup on some small boulders and watched the large waves flood in toward me. I was rusty because I hadn’t been out in a while, but I’m happy that I walked away with some usable images to work with.
The winter months in Hawaii are the busiest as people that live in cold climates seek an escape to warm beautiful tropical weather. With the increase in people finding wide open unobstructed landscape photo opportunities decrease.
I went out to photograph this sunset off of the sandy beach of Ka’anapali. Instead of getting a wide angle shot close to the water I decided on capturing a fresh perspective. I have always loved the look of the trees that lined the beach along with the broad leaved vines that grow along the ground, so this time I setup back away from the ocean. After composing and setting up for the shot I started to realize the traffic of all the people coming out to enjoy the sunset. Some people stopped to take a quick picture while others rested on the trees within my field of view. The last interruption came as a family posed to take a family photo on the tree with the sunset to their backs. Luckily I had a few open opportunities to get the shots I needed to work with. The rest of the time was spent enjoying the sunset and the way people reacted once they saw me crouched on the ground taking their photo.
