travel

  • Take Two

    Beautiful Hawaiian landscape photograph of the energy surrounding an awesome Big Island blow hole at sunset.

     

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    Take Two is a second photographic look at the blow hole I posted earlier. Instead of the calming reflected water there is a more energetic rush of water.

    © Christopher Johnson

  • Pololu Valley

    A view of the amazingly beautiful Pololu Valley from the beach

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    Southern cliffs lit up and reflected in the black sand beach of Pololu Valley as water streaks through the shoreline rocks.

    © Christopher Johnson

  • Layered Clouds

    Altocumulus lenticular clouds formed above the Sierra Nevada Mountains

    Photographed from the top of the Heavenly Valley Ski Resort looking down towards the Carson Valley.

    © Christopher Johnson

     

     

  • Water Reflection

    Water Ripples

    A walk around the natural pools of the Mauna Lani resort is always so calming. A fun series of pathways navigate around the many different pools of water that spot the landscape. A seawall creates a boundary between the larger pool and the ocean where eels and barracuda swim freely, needless to say that this isn’t a place where people are swimming. An old brick structure rests on a small island that is only accessible by a small concrete narrow wall and is surrounded by palm trees growing out of small pot looking islands. I haven’t looked into what this structure was, but it is definitely a cool and odd thing to see.

    I found myself drawn to the reflective surface of one of the pools further away from the ocean. Clusters of palm trees draped over and around the water while being reflected in its gentle rippling surface. Through my viewfinder I was mesmerized by the dancing bending light as the image continually shifted its abstract form.

    © Christopher Johnson

  • Hawaiian Turtle

    Hawaiian green sea turtle swims near the surface of the water.

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    Every time I go to photograph underwater I realize how difficult it is. Everything is moving constantly, the light is always changing and not as bright, and whatever you swim towards swims away. Not to mention how hard it is to see the camera screen because of the reflection of the sun creating a mirror over the screen. Most of the time I find myself aiming in the direction of what I want to photograph and most of the time I either miss or crop the object in half. Then there are the times I get lucky.

    I was swimming around looking for turtles, but couldn’t find one. Instead I though to capture some patterns and sun rays when this turtle swam under me as if to say hello. The spot I was wasn’t very deep. I could stand up and have my head out of the water, so it was that much more exciting to have that close of a visitor. I followed her around for a little bit and then as sudden as she arrived, she was gone.

    The photograph I came away with is one where she came up for air a was slowly beginning to dive back down to feed. I love how the shell is reflected in the underside of the waves as they pass by.

    © Christopher Johnson

    www.fromhereonin.com

    Purchase a print by visiting my RedBubble page.

     

  • Kamokuna At Night

    Photographing the Kamokuna Lava Ocean Entry at Night

     

    On December 31st there was a drastic change to the shoreline at the Kamokuna ocean entry. The lower shelf that the lava once gradually flowed over before entering into the ocean as well as part of an old lookout point fell into the ocean. Somewhere around 17 acres of land suddenly disappeared. I had to go see it and so as a last minute plan we headed over. I couldn’t believe the amount of roadblocks we encountered on the way. Dead car battery, flat bike tires, missing headlamps, and an accident that closed the road for 30min. While sitting in traffic I turned to my wife and said. “I don’t think we’re gonna make it in time.” At that point we considered abandoning the mission, but to our surprise the road opened up and we were on our way. Lucky it did because I don’t know when we would be able to get back over there.

    The trail was light with people, so we were able to ride with ease without having to worry about everyone and made it with plenty of daylight to spare. When we came prior to the collapse, in August of 2016, the road went on further and we were able to get close to the lava. Close enough where we were able to see a lot of action with our naked eyes. Now the new lookout puts us several hundreds of yards away. The action is harder to see without binoculars or zoom lenses. With the amount of smoke billowing off of the entry even seeing the lava is difficult. A gust of wind would swoop in and push the smoke where we would get a glimpse of the large lava river draining into the ocean. It was impressive to see even with the great distance.

    My family walked around and explored all the viewing areas while I found a spot I liked and didn’t move from that spot the entire time we were there. With the small crowds of people I wanted to make sure that I had a front row spot where I didn’t need to worry about someone moving in front of me. Even still I had the occasional tourist think I was their husband and stand next to me while telling me about how they nearly fell down in the dark. I would slowly look up and watch them get flustered with embarrassment and walk away. Strangely enough it happened more than once.

    My lens of choice was the 300mm telephoto for the distance. It was windy, so I needed to weigh the tripod down with my bag and crank down all the setting nobs. I also used a cable release and waited for the wind to die down before taking the shots in order to reduce camera shake. Any slight movement while fully zoomed in will move the composition a couple feet.

    It was at night that the lava glowed and showed life with a lot of small explosions. I decided to capture the night sky with my wide angle before leaving. I took 8 to 10 – 30 second shots while my kids grew impatient. They were definitely ready to start the long bike ride back and get something to eat.

    As I stepped off my bike at the car I was relieved the bike ride was over. Any longer and the extra hard, value engineered, cheap ass seat would have to be surgically removed from me. It has been a couple weeks since then, but I swear I walk differently now. We had fun.

    © Christopher Johnson

     

    View more lava images - http://www.fromhereonin.com/volcanic-activity/

  • Halemaumau Crater

    Photo of the lava churning and spattering in the Halemaumau crater

     

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    Having heard the lava was very active due to a piece of the crater wall collapsing into the lava lake, I was extremely excited to visit the Jaggar museum that night. I headed out after work with my family and arrived at the Volcano hours later with the unfortunate drizzle of rain. I wasn’t expecting much, in fact I wasn’t expecting I was going to see anything due to heavy fog or rain clouds. On a previous trip I knew we were getting close because the sky had an amazing bright orange glow, however, this trip wasn’t as apparent. My hopes were fading.

    We arrived at the Jaggar museum lookout along with many others. Gathering up our gear took a while, but eventually we set out to the view point. With the glow of the lava and the orange night step lights leading our way to the lookout, we were all amazed at the amazing sight of the active lava lake. Never before have I been able to see the lava lake from the Jaggar museum. Usually just a glow of light as smoke billowed away. There were cracks of bright yellow and orange moving around. Forming new connections with other cracks while closing others. The most mystical sight was the sputtering lava against the crater wall.

    Photographing the lava was difficult. I needed a higher iso in order to stop the motion of the lava, but not too high as to pixelate the image beyond usability. In order to capture the lava up close I needed the full range of my telephoto lens at 300mm. This all doesn’t seem difficult, but adding wind and rain to the equation made this difficult. Any small movement of the lens would move the image drastically, which generated a blurry image. I had to wait for relief in the wind, but then the rain would speckle the lens. It was a little bit of a dance to get the shots.

    For the image above I shot two focal ranges. The trees were several feet in front of me, while the lava was hundreds of feet away. Maybe thousands. It took a lot of blending and luminosity masks in Photoshop to merge the images to one.

    Aloha!

    © Christopher Johnson

     

    Purchase this piece by visiting my RedBubble page.

  • Kailiili Sunset

    Fallen tree along the Maui coastline

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    This is the second time that I visited this location along the Kaliliili coastline of Maui. The long stretch of coastline that runs along the ocean side highway on the way to Lahaina there is a small section of old fallen Kiawe trees that stretch out into the ocean. The black sand of the beach slightly covers the lower branches and they reach out into the air making it look like they are independent of the fallen tree.

    I originally setup further away from the tree to get more of the tree into the photograph, however, the tree flattened out the flow of the scene. Instead I began to work on several different perspectives as well as different trees close by, but I wasn’t feeling that creative spark. As a last minute composition I decided to move extremely close to the tree I started with in order to express the organic detail as it moved into the ocean. At this point the sunset was at a close and I was graced with an orange glow of light along the trunk of the tree.

    After capturing this shot I continued to shoot the ocean with long exposures and experiment with other compositions, but this was the favorite.
    © Christopher Johnson

    Purchase a print by visiting my RedBubble page.

  • Night Sky

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    I revisited the spot of the previous post “Night Lights” to further explore the night stars and milky way as a backdrop of the beautiful under-lit palm tree. This time I shot with a wider lens in order to capture more of the night sky.

    © Christopher Johnson

    Purchase a print by visiting my RedBubble page.

  • Night Lights

    Photograph of the starry night behind tall palm trees in Hawaii

    This night just happened. The moon wasn’t due to rise until 2am and the humidity was low, all while the wind wasn’t really blowing hard. A perfect opportunity to attempt a concept that I was thinking of for a while now… palm trees in front of a starry night. I didn’t have the energy to drive to a preferred location, so instead I walked to a location close by, which happens to be near a hotel. I thought the lights from the hotel might kill the night sky with light pollution, but I decided to give it a shot first. If I am successful my next attempt would be at the location I had in mind, which would by a long bike ride in the dark.

    I was pleasantly surprised with the shot; even with the red of the nearby lights. The under lighted palm trees really helped bring a lot more color into the shot.

    Prints are available for purchase on my FineArtAmerica store

    Palm trees standing tall amongst a starry Hawaiian night

     

  • Akaka Falls

    Akaka Falls framed with the ferns in the foreground.

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    This magnificent waterfall has been photographed a million times and mostly the same way. I wanted to photograph it with a different approach. Framing the waterfall with all of its surroundings in order to accent the subtleties of the area was my goal. The ferns in the foreground, small waterfalls along the left side of the falls, the moss along the walls, and the way the water catches smooth rocks along the cliff walls as it falls were all the details I set out to capture that are normally lost in a wide angle view.

    © Christopher Johnson

  • Hawaii

    Golden sunset shines through the beautiful silhouetted palm trees during sunset

     

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    On my way down to the shoreline of Kailua Kona to view the sunset I was taken back by the beauty of the palm trees silhouetted against the vibrant Hawaiian sunset.

    © Christopher Johnson

  • Noio Point Arch

    Photograph of a sea arch along the western Hawaii coastline during sunset

    Sunlight streams through the large opening of a sea arch off of Noio Point along the Kailua Kona coastline.

    See the aerial version I shot with a DJI Spark drone, ‘Sea Arch Aerial‘.

    © Christopher Johnson

    Available backlit from Big Naked Wall. Check out the website and see the cool things they are doing for artwork with their interchangeable prints on backlit frames.

  • Snow Covered Forest

    Snow covered trees in Lake Tahoe during a snow storm.

    Pine trees covered in fresh snow during a snow storm

  • Two Fifteen

    I visited this location two days in a row when the sunset had some promise. The first day was disappointing when the sun popped under the clouds as a dull glowing ball surrounded by the colorless grey haze, blocking any chance of color and light. I was successful when I shot while the sun was high, but during the finale the absence of light pushed my shutter speed too slow. While I wan’t going to compromise any more on aperture and ISO I packed up. However, the next day I was graced with the appearance of the sun. Again I watched as the sun faded behind the low lying haze that trapped the sunlight from under lighting the belly of the clouds, but I was happy to witness some color on the horizon.
    My goal with this shot, against this sunset, was to capture the color and texture of the seaweed with a 1 second shutter. The surf was high and I didn’t want to risk a tight ground shot, so instead, I framed a glimpse of the foreground.
    Enjoy…
    © Christopher Johnson