• Colors Of Lava

    Colors of the lava flowing in the volcanic river to Kapoho from fissure 8 in Pahoa.

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    Insane to witness the amazing colors of lava from the sky. This massive lava flow is slowly making its way to Pahoa. Beautiful and destructive. I love the oranges, reds, purples, and blues seen in this image.

    © Christopher Johnson

  • Golden Leaf Trees

    Golden leaves look like autumn trees on a grassy hill.

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    I wanted to try something new. Being stuck creatively because of the VOG filled sky left me to play with macro compositions.

    I had been walking by golden leaves that had fallen on the stained concrete for a few months now. I always thought leaves look like small trees and wanted to play with this idea. With the moss ground covering along the edges of the concrete pathway I lined some leaves along it to play with a tree on a hill concept. I took two different focal shots and stacked them in Photoshop for sharpness and then began working on darkening the background for depth.

    It was a lot of fun trying to create a concept photograph. This exercise opened up my mind to a new way of photographing nature.

    © Christopher Johnson

  • Kapoho Ocean Entry By Helicopter

    An aerial view of the lava entering the ocean and creating small explosions along the coastline of Kapoho Hawaii.

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    From the doors off helicopter of the Paradise Helicopter Tour I was able to shoot this unobstructed view of the lava as it enters the ocean along Kapoho. You can’t see it in this web version of the shot, but in the large printed file there is an explosion in the upper part of the image where the ocean collided with the hot lava that sent lava rock and particles flying rapidly in the air. I love this image because of the design quality of it like the diagonal line of the coastline parted by the smoke and ocean waves. There are hidden surprises throughout the shot like the explosion, and the red hot lava, as well as the ripples in the water. It’s just a raw look and feel of the energy that exists when these two natural forces meet.

    © Christopher Johnson

  • Lava Flow Pattern

    Tight cropping of the amazing detail and pattern of the lava river flowing out of Fissure 8 in Pahoa.

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    It was an amazing experience to see the lava spewing and flowing out of fissure 8 that erupted out of the middle of Leilani Estates in Pahoa, Hawaii. It was somewhat surreal. My mind didn’t comprehend what I was looking at at first because I felt like I was watching a movie. In Kona I am just far enough away to not realize what really is happening on the other side of the island even though we have the extreme VOG and earthquakes. It just never really sunk in until I went to see the event in person.

    After the initial shock and excitement of the fissure I began photographing the detail and patterns of the lava flow from above. This shot was taken at full zoom, 300mm, to enhance the colors and beautiful qualities of the lava as it cracked and hardened. When viewed at 100% there are endless designs and details in the lava that are just amazing that I didn’t realize were there until I developed these shots. The helicopter trip goes so fast and my mind was racing to take it all in mentally and with my camera. So much that I didn’t have my setting right in the camera while I was taking these pictures.

    When I was preparing to go on the helicopter I had a system to set the camera on shutter priority fast enough to handle the 300mm lens as well and the movement of the helicopter. Then to quickly review the shots to make sure everything was crisp before continuing. I even had a gentleman ask me about shutter speed before getting on the helicopter as a subtle reminder to adjust my settings. Unfortunately I didn’t heed my own preparation and advice. The excitement got to me. Before I knew it I was rapidly taking pictures of everything I saw. The helicopter pilot was twisting and tilting in all directions so everyone had their time to experience the disaster which added to my excitement.

    It wasn’t until we were leaving the flow that I began to review my images and noticed a lot of the had significant motion blur. My heart sank. I totally screwed up. “It’s Ok. It was the experience that was amazing. A once in a lifetime experience.” I told myself in order to cheer myself up. I mostly believed it, but as with all artists all we want to do is create. The life experiences are amazing, but we want to bring home some amazing art to relive it and share the experience. Sharing blurry shots of the lava isn’t going to excite anyone.

    I spent the rest of the day with a small lump in the back of my throat. I wanted to go up to the desk at Paradise Helicopters and tell them I wanted a do-over because I didn’t get the shots. They would obviously let me go again because that would be their biggest concern. It was weird where my mind went. I wasn’t depressed or anything and it would have been fine if all my images were trash because in actuality it was the experience that mattered. My wife and I had a blast and got to spent the rest of the day exploring new areas of the island. It was just disappointing that I thought I didn’t have any usable images.

    When I finally sat down and loaded all my shots into Bridge I was elated to see 2/3 of all the shots were just fine and my worries were for nothing. It’s so weird how a small thing can effect you in such a large way and how all preparation can be lost in excitement. I just need to learn to slow down and be methodical during these moments. In all actuality I had a lot of time to photograph the lava. It only seemed like I didn’t at the time.

    © Christopher Johnson

  • Floating Sand

    Image of sand floating underwater after a passing wave.

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    Messing around in the waves of Kua Bay while trying to capture the backside of a wave, I wasn’t having much luck. The water was flat and there were tons of people around. Every once in a while a large set would come in and energize everyone in the water as they all setup to body surf the wave. With all the commotion a lot of sand kicked up and then as the wave passed more sand would kick up, but I tried to photograph the wave anyway. What I found was a lot of out of focus images. I left the beach thinking it was a loss, however, it is always nice to get in the water.

    When I loaded the images into Photoshop Bridge I found a lot of beautiful images of sand with amazing streaks of sunlight beaming through the water. I edited this image with an abstract/design quality in mind and accented the colors and light values. In the end I think this would be a very cool accent image on a wall blown up really big.

    © Christopher Johnson

  • Purple Drama

    Macro photograph of the beautiful dyed purple and turquoise petals of a Chrysanthemum flower as they curl around each other.

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    © Christopher Johnson

  • Fiery Sunset

    Beautiful bright and colorful sunset from the edge of a blow hole along the Kona coastline.

    The sunset last night was amazing!
    I set out when I saw low lying clouds underneath the upper clouds along with a clear horizon. Usually the sun will begin to illuminate the lower clouds with color and slowly hit the upper clouds to create an amazing glow of color, but when I got to the coastline I had second thoughts. The sky was gray and dismal. It didn’t change much as the sunset came near so I thought the hazy on the horizon would stop the color and fizzle into nothing.
    I setup to capture a totally different scene and was facing south when the explosion of color began. As fast as I could along the treacherous jagged and slippery rocks I moved to this location, looking through the large holes in the reef, to compose for the colors in the sky. I threw caution to the wind as I precariously setup on some small boulders and watched the large waves flood in toward me. I was rusty because I hadn’t been out in a while, but I’m happy that I walked away with some usable images to work with.
    Enjoy!
    © Christopher Johnson
  • Boulder Creek Falls

    Boulder Creek falls along the Alakahi stream that winds its way through the lush tropical landscape of the Hawaii Tropical Botanical Garden near Hilo.

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    Way in the back up stream is the waterfall that the Botanical Garden named as Boulder Creek Falls. In order to get to it I would have to make my way through the dense tropical forest which would most likely be frowned upon by the garden staff. With the amount of people around I decided not to attempt it. Instead I setup on a small bridge that crosses the stream and waited for the right moment.

    Like the Onomea Falls image that I posted earlier, I had to wait a while for the sunlight to be hidden behind some clouds in order to have a nice evenly lit scene. However, the sunlight wasn’t my only obstacle. The small bridge that I set my tripod on was not sturdy. Any amount of movement would create a huge vibration, which doesn’t go very well when taking slow shutter exposures. The large crowds of people that found their way to the falls had the same idea to stop and take pictures before winding their way up to the end of the path. Funny thing is that the end of the path is about 50 yards away up to the left which is somewhat in the shot. I really had short windows where I could photograph the scene once the sun was blocked. The best part was that I setup really low to the ground in a crouched position, but because the bridge was not wide enough to allow me to be behind the camera and have people walk behind me that I had to crouch off to the side and crane my head around to see through the view finder. Super awkward position, but very enjoyable to be sitting in front of this beautiful scene.

    © Christopher Johnson

  • Onomea Waterfall

    The beautiful cascading Onomea waterfall in the Hawaii Tropical Botanical Garden.

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    Two years ago I visited this waterfall and failed to focus properly on all parts of the scene and regretted not spending the time to make sure I had the shot before I left. The unfortunate thing is I though I had the shot when I left only to find slightly out of focus images when I went to process them. If the out of focus elements were in the background I may have dismissed the error, but they were foreground elements. It’s one thing on macro or artsy style images to have blurred parts, as long as it’s not the main focus of the image, but this wasn’t the case. Needless to say it bothered me for a while and when my daughter wanted to return last weekend I didn’t hesitate to go.

    We arrived around noon which isn’t ideal for photographing waterfalls or complex landscapes because the light from the sun spots the scene with unpleasant highlights. I was hoping for a cloud to hide the sun momentarily, but after waiting 20 minutes there was no relief from the sun.  I gave up to walk the gardens and to hopefully have better luck later, which when I returned my wish was granted.

    After a cautious and abundant photoshoot I knew I had the shots I needed to create the image I had been wanting for 2 years. I focus blended the foreground tree with the waterfall and distant trees in Photoshop to create a fully sharp image as well as adjusting the exposure with luminosity masks to create depth and interest.

    Hope you enjoy this image and the lesson for me was to take my time and make sure I have all elements of the scene captured before leaving. Returning may not be an option.

    © Christopher Johnson

  • Ka’anapali Sunset

    A beautiful sunset from the Ka’anapali beach on the island of Maui

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    The winter months in Hawaii are the busiest as people that live in cold climates seek an escape to warm beautiful tropical weather. With the increase in people finding wide open unobstructed landscape photo opportunities decrease.

    I went out to photograph this sunset off of the sandy beach of Ka’anapali. Instead of getting a wide angle shot close to the water I decided on capturing a fresh perspective. I have always loved the look of the trees that lined the beach along with the broad leaved vines that grow along the ground, so this time I setup back away from the ocean. After composing and setting up for the shot I started to realize the traffic of all the people coming out to enjoy the sunset. Some people stopped to take a quick picture while others rested on the trees within my field of view. The last interruption came as a family posed to take a family photo on the tree with the sunset to their backs. Luckily I had a few open opportunities to get the shots I needed to work with. The rest of the time was spent enjoying the sunset and the way people reacted once they saw me crouched on the ground taking their photo.

    © Christopher Johnson

  • Oil Colors

    Close up of the colorful wet oil on the pavement of a Waimea parking lot.

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    I have been wanting to photograph the colorful oil streaks on wet pavement for a while, but never wanted to take the time to capture it properly. Instead I would take a few shots only to notice edges are out of focus, or there was a small amount of blur from shaking the camera. I would always get back to the computer just to kick myself for not spending the time to get the shot properly. In this situation, in public, I always have trouble taking pictures. I would rather be in the comfort of my home or out in the wild away from people to work on perfecting images. When I saw this colorful oil slick in the middle of a busy parking lot I thought of all the times I had failed, so this time I made sure I got the shot right.

    I didn’t pull out the tripod and reflector shield, although maybe I should have. Instead I boosted the ISO to eliminate shake and crouched down on the parking block and bobbed around until I was able to get all 4 corners in focus. It must look pretty funny for some people that don’t know much about macro photography to witness.

    “What is that man doing?” a young child might say.

    “He’s taking pictures of the ground honey. Now hurry up and don’t look.” the parent replies as they glare with a concerned look… Like I’m on drugs or something.

    Who is crazy enough to photograph really close to the dirty parking lot in the rain? They must be on drugs. Well I’m not. I’m just trying to capture the beauty of the world. Even if it’s pollution.

    © Christopher Johnson

    www.fromhereonin.com

  • Restricted

    Black and White photograph of a leaning tree in Waimea, Hawaii

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    During a rainy day in Waimea, I decided to drive around some side roads in search of some interesting compositions that were enhanced by the mood of the weather. While driving the paved portion of Mana Road I was excited by this tree hanging over a barbed wire fence with a faded line of trees in the distant background. There were a lot of amazing elements to play with. I went with a low camera angle in order to place the distant trees under the canopy of the foreground tree. This also allowed for an exaggerated fence line to fill up the entire right side of the frame for some added interest. The image just wasn’t complete once I had completed the color edit. Although I still like it I decided to work the image as a black and white which I feel enhances the overall feel I was going for when I first was attracted to this location.

    I titled this piece Restricted because of the contrasting sides of the fence. One side is overgrown and rugged while the other is tended to and open while outlined by a sharp barbed wire fence. The tree feels like it is trying to reach over to the other side, but is rooted on the wrong side. Restricted from crossing over.

    © Christopher Johnson

  • Kiholo Bay at Night

    Kiave tree in a moonlit night along the Kiholo Bay coastline

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    We were camping next to this awesome Kiave Tree on the beach of Kiholo Bay. During the day there wasn’t a lot to photograph because the clear skies didn’t give much interest to the sky and the bold shadows weren’t very attractive. At night the skies were full of stars and the full moon and camp fire provided a lot of interest. It took a while to come up with a composition that I liked. Since the viewfinder was dark, I had to take an exposure and wait for it to load before I could review it, then adjust to what worked. It ended up being a fun creative exercise.

    © Christopher Johnson

  • Land Arch

    Photograph of an arch along a very old lava flow.

    Strangely enough I have been passing by this arch for close to 12 years and for some reason I never noticed it up until just recently. Just at the lookout on the Mamalahoa Hwy, north of Kona, this arch can be seen right off of the road looking up toward Hualali mountain. This makes it that much crazier that I had never seen it. I can only figure that every time I passed by or stopped… I was looking towards Maui and the old lava flow formations that traveled down the hillside. Now I find myself always looking at and studying this arch whenever I pass by.

    Unfortunately the background of this arch isn’t usually very attractive because of the steep dark mountain side and formless clouds that build to create a stark white sky. I was pleasantly surprised that on my way home from visiting family we were passing by this area through some heavy fog. Without hesitation I pulled off and stood at the entry of this arch to shoot a few images. I was trying to focus on the eerie foggy atmosphere surrounding this interesting structure especially the spot of white fog under the arch which is usually dark from the rock behind. The fog provided a lot more depth and color to this otherwise difficult to photograph location.

    This island has so many cool and unique landscape qualities that I look forward to finding other spots. The key is to keep my eyes open to finding them.

    © Christopher Johnson

  • Cactus Lines

    A macro photograph of the lines and thorns of a budding blue agave cactus.

    In the center of the agave is a tall spine which is made up of a bunch of newer leaves bundled together. As they mature they begin to fall away from each other, spanning out like wings, until eventually they find the ground to decay. The coolest part of this process is that during the time the leaves are bound together they imprint their spines and designs on to each other which never goes away. How symbolic of life. When we grow up we are imprinted with the people we grow with and that imprint never really goes away. It may fade, but if we look carefully we can see these imprints on others whether good or bad… Hopefully good.

    © Christopher Johnson